Ashes - Ashland (1994)

As anything related to Eraldo Bernocchi seems to be highly successful with the readers, perhaps the time has come to share some of his lesser known and rare material.

Eraldo, performing under the pseudonym of Surrealistick Master, started Ashes in the beginning of 1990 as an alternative outlet for material that didn't fit under the moniker of Sigillum S. While this first album was Eraldo performing solo, except for some assistance by Nicola Bernocchi on clarinet and saxophone, on later albums he started collaborating with Bill Laswell, Raiz and a varying cast of other musicians.

The music itself is very relaxed and laid back. As much as I don't want to use the term New Age music, I'm almost willing to bet a small amount of money that this is Eraldo's take on it. Playing everything from guitars, keyboards and piano to programming the beats and organizing the sounds, the album features a wide array of soundscapes, ranging from eastern influences all the way to some tribal drumming.

Released in 1994 under the banner of Verba Corrige, the joint label of Eraldo and Pettulia Mattioli, the disc features nine tracks of instrumental ambient. This is recommended to anybody into early 90's experimental music, and especially for those of you even remotely interested in the works of Eraldo Bernocchi.

It's definetly not the party album for the weekend, instead it's a meditative and almost hypnotic disc for those long nights spent alone. Hope you enjoy!

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(95+06MB/320CBR)

SIMM - Welcome (1998)

When I posted Tapping the Conversation, I found myself wondering what other releases could be filed under "forgotten and overlooked". I began a short, but rather intensive, staring contest with my record collection. Through all the blur, my eyes slowly began to affix on SIMM. Yes indeed! The world needs more Eraldo Bernocchi.

Sadly the case with SIMM, like with many good and promising projects, turned out to be yet another short-lived experiment, only releasing one 12"EP, this full length and a handful of compilation tracks. Both the EP and Welcome were released by Mick Harris' now-defunct Possible Recs.

While the first press was released back in 1996, this reissue came out two years later and featured two additional tracks, namely Him and Backstage sonic, created and recorded in February 1997.

"OK! Enough with the history lesson, how are the sounds?" Eraldo is up for the challenge, trust me. Combining dark and brooding ambient atmospheres, looped beats, his signature guitar manipulations and deep bass into a nicely flowing stream of ambient dub.

It's actually hard for me to pick out standout tracks, as the whole album flows very smoothly from start to finish. If I had to pick a personal favourite, I'd go with the second track, Some silences. Lovely basswork, the restrained beat and the synthbleeps emerging halway through the track. Mesmerizing stuff.

SIMM is an almost hypnotic approach to dark soundscapes and groovy beats. Very calm and laid back, but still packing some serious sonic punch, SIMM and Welcome deserve way more recognition, indeed. Highly recommended, enjoy!

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(95+47MB/320CBR)

Equations Of Eternity - Vevè (1998)

Harris, Laswell and Bernocchi return for another collaborative effort under their Equations Of Eternity-moniker. Vevè picks up where their self titled left off, spicing things up with even more magick references than on their previous album. Let's sneak a peek behind the veil of secrets, shall we?

Many building blocks of the previous album are left intact. If it works, why mess with it? Laswell simply let's his bass do the talking. The throbbing lines of low-pitched goodness flow onward like a thick stream of glue, gently binding all elements together.

The beat constructions are signature Harris. Like the whole album, they're slowly evolving, and in absolutely no rush to get anywhere fast. Everything is nicely topped off with Bernocchi layering his gloomy soundscapes around the listener. The programmed electronics, manipulated guitar tones and ritual chants really bring the tracks to life. Slowly unfolding and subtle audial movements, constantly floating in and out on the listener. Again and again.

Reading about the track titles and studying their themes will flesh out the tracks even more, and maybe even open up new worlds for the interested and uninitiated. Going through nine tracks of smoothly flowing soundscapes in 56 minutes, everybody is allowed along for the trip. The sounds are certainly worth a listen, even if you don't care for the occult references and themes within.

"But the aim is to go behind the word to find the meaning, and to go beyond the sound to find the wisdom."

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(95+27MB/320CBR)

Equations Of Eternity - Equations Of Eternity (1996)

Mick Harris, Bill Laswell and Eraldo Bernocchi. Three prolific musicians. Three different countries. Two continents.

Judging by the liner notes, the material for this album was created by each participant, own their own, in their own studios, and finally arranged, mixed down and produced by Bernocchi. Luckily for us, the international mail system was still working to some degree during the late 90's, thus making this collabration possible.

Harris provides some noisy samples and his instantly recognizable spare beats, although for this record he has spiced them up with a touch of tribal feel, sounding almost ritualistic at times.

Laswell provides the driving force of the album. His signature bass sound, thick and groovy, has been mixed decisively into the foreground for the listener to catch on to. It's almost like a steady flow of thick tar oozing from your speakers.

Bernocchi, with whose work I wasn't too familiar during the time of the release, except for a few compilation casette appearances with his group Sigillum S, is the puppetmaster of this show, pulling the strings, providing programmed electronics and manipulated guitar sounds to accompany Mick's beatwork.

Throw in a healthy dose of mysticism, specifically Haitian vodou-references, some distorted chants and a Crowley-quote to boot, and you get this dark, beat-heavy monster of a ritual record. Originally released by Wordsound in 1996, the disc features nine tracks with a running time of 55 minutes.

Enough with words, it's time for you to get lost in this thick concoction of dubby drone. Enjoy!

"Things connect in the end, somehow, mysteriously".

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(95+23MB/320CBR)