Showing posts with label mark spybey. Show all posts
Showing posts with label mark spybey. Show all posts

Wednesday, August 25, 2010

Mark Spybey & Mick Harris - Bad roads, young drivers (2000)

The second part of Hushush's subscription-threesome pairs up Mark Spybey and Mick Harris. Good times are about to be had.

Another mail collaboration, this time Mick Harris was responsible for the source material, which he then sent over to Mark Spybey, who at the time of recording resided in Klaverland, Netherlands. Additional saxophone blares were contributed by the legendary Niels Van Hoorn of the Legendary Pink Dots.

Bad roads, young drivers puts more emphasis on the rhythm than the first part of the series, but as Sfumato was practically void of beats, that should come as no surprise to the observant listener.

Fusing together dark and brooding soundscapes, wicked sound manipulations and a truckload of diverse percussions, featuring everything from minimal hip-hop beats and mangled rhythms to furious drum and bass, Bad roads, young drivers certainly brings out the best of both artists. They do such a good job at blending their styles that it's hard to tell where Harris's input stops and Spybey's begins.

An eleven-track excursion with a couple of scorching head-on collisions await you. So better jump in the back seat, buckle up and let these young drivers take you down some truely funky bad roads. Enjoy!

Download part 1 | part 2
(95+45MB/320CBR)

Tuesday, August 24, 2010

Ambre & Mark Spybey - Sfumato (2000)

Sfumato is one of the four canonical painting modes of the Renaissance, a technique that involves blurring of sharp outlines or creating a sense of movement through gradually blending tones into another.

While the Mona Lisa is the best known example of the aforementioned technique in painting, our undivided attention is aimed towards this audial equivalent, the first of a three-part subscription series that was released on Hushush Records.

The first part throws together Ambre, a joint electro-acoustic and ambient project featuring Olivier Moreau, John Sellekaers and C-drík, with Mark Spybey, a man known for his work with Dead Voices On Air, Zoviet France and Spasm.

The collabration was performed via mail. Spybey sent tapes of raw source sounds to Ambre in Belgium, who then embarked on a two-week recording session to De Haan in September 1999.

The main bulk of the music consists of deep drones, field recordings, found sounds and a multitude of ambient atmospheres. Most of the material is very minimal and abstract, with enough gradual and subtle movements in the soundscapes to keep the listener on their toes. Droning, throbbing and pulsating with life, Ambre really did a fantastic job with Spybey's source materials and fleshed this collabration to life.

This album should easily appeal to most people interested in minimalist electro-acoustic soundscapes, ambient and noise. This album is best enjoyed from start to finish, so equip yourself with some good headphones, kick back and dive into these fourteen pieces filled with pleasant surprises. Enjoy!

Download part 1 | part 2
(95+27MB/320CBR)

Sunday, August 8, 2010

James Plotkin & Mark Spybey - A peripheral blur (1998)

It must have been a weird day in New York, back in 1996. Two men improvised an unprepared soundscape in front of a festival audience at the Brooklyn bridge anchorage. Their performance turned out succesful and it sparked their interest to collaborate further with a recording project.

To recreate the conditions of their shared performance, Mark Spybey sent tapes containing first-take improvisations of vocals, ethnic stringed instruments and various toy sounds to James Plotkin, who then laid out multiple layers of his manipulated guitar sound into the mix.

Although the source sounds are rendered beyond recognition, the end result is a very fluid and minimal ambient album. Totally void of beats, the album progresses through the use of simple looped melodies surrounded with gentle washes of noise and drones.

It's always a joy when artists manage to complement each other. Not only on an audial level, but on their artform and aesthetic as a whole. Not too many albums manage to pull off the feeling of fluffy warmth and calmness where you can get sucked into, with an indescribable sense of dread and danger looming in the sonic textures, at the same time.

Five sound collages of headphone enjoyment dedicated to the insomniacs amongst us, especially the chosen few reloading the front page numerous times a day. Hope you enjoy!

Download part 1 | part 2
(95+20MB/320CBR)