Like on the previous Quoit album, Harris once again dishes out enough low end and subzero bass frequencies to rupture holes into the space-time continuum. The second key aspect of this album is the thing which many artists, in any possible genre, are missing: atmosphere. The ambience and mood is reminiscent of his work with Lull, with harsh breakbeats and drilling bass layered on top.
If you happened to like the previous Quoit-album I featured, you know what you're in for. The sound is cleaned up even more, it's almost clinical in purity at times.
Those who are still struggling with the term drum and bass, give it a chance. I think this swirling mass of chaotic and mixed up rhythms, harsh and distorted beats, is purity at it's finest. This really doesn't give your eardrums much of a rest at any point, it's an sonic onslaught at all times. Be prepared for the audio artillery attacking you from every possible direction, drilling it's way into your brain with a barrage of noises and beats.
Mr. Harris, whatever you put your paws on, you never seem to disappoint. Try it, feel it, love it.
Download part 1
Download part 2
(95+19MB/320CBR)
